Aesthetic and affective practices in Latin American feminist movements: transnational perspectives from the intersection of art, activism, and research

Autori

Konstantina Bousmpoura
Paula Serafini
Queen Mary University of London
https://orcid.org/0000-0002-4278-1832

Sinossi

Abstract

In recent years, Latin America has seen the emergence of massive grassroots feminist movements. This has notably included Ni Una Menos, a reaction to femicide that emerged in Argentina and soon became a transnational movement for social transformation, and Un Violador en tu Camino, a participatory performance by Chilean collective Las Tesis, which stood against gender-based violence and became a transnational hymn. Drawing on theoretical, empirical and audio-visual material from our ethnographic work on performance activism, as well as from our experiences as feminist activists organising in Europe and Latin America, we will discuss how contemporary Latin American feminisms embrace different forms of aesthetic and affective practices as vehicles for envisioning – and beginning to practise, at small scale – more socially just and sustainable ways of living.  We ask: What is the role of aesthetic and affective practices in Latin American feminist movements?  And what role do these practices play in sustaining movements and building transnational solidarity? Engaging reflectively with our positions as activists/artists/researchers in relation to the conflicts and movements we are working with, we will also look at the methodologies we develop when studying and participating in feminist social movements and developing transnational projects. How do we navigate changing positionalities and geographical locations? And how do activism and research feed into each other?

Keywords: Feminism, social movements, affect, Argentina

Biografie autore

Konstantina Bousmpoura

is an anthropologist, documentary film director, and human rights activist. Her extensive research, direction, and production of ethnographic documentaries on the intersection of dance, politics, and social movements in Buenos Aires, Seville, and Athens have earned her international participation in festivals and conferences in global academic and film communities. She is the head of the ‘Ethnofest – Athens Ethnographic Film Festival’ program and a board member of the ACA educational and artistic civil society organization based in Buenos Aires, which emphasizes gender audiovisual projects. Konstantina is also the coordinator of the Gender Network in the Greek Department of Amnesty International.

Paula Serafini, Queen Mary University of London

is a Senior Lecturer in Creative and Cultural Industries at Queen Mary University of London. Her research is situated in the field of cultural politics, and her interests include extractivism, social movements, art activism, performance, cultural labour, and socioecological transitions. In addition to her research, over the last decade and a half she has developed collaborative practices in pedagogy and organising alongside autonomous collectives in London, where she is currently based. She is author of Performance Action: The Politics of Art Activism (Routledge, 2018) and Creating Worlds Otherwise: Art, Collective Action, and (Post)Extractivism (Vanderbilt University Press, 2022), and co-editor of artWORK: Art, Labour and Activism (Rowman and Littlefield International, 2017) and Arte y Ecología Política (IIGG–CLACSO, 2020).

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Pubblicato

July 2, 2025